马勒:第五交响曲(万斯卡,明尼苏达交响乐团)

索尼精选-马勒:第五交响曲(万斯卡,明尼苏达交响乐团) [24bit 96kHz]

索尼精选-马勒:第五交响曲(万斯卡,明尼苏达交响乐团) [24bit 96kHz]
索尼精选-马勒:第五交响曲(万斯卡,明尼苏达交响乐团) [24bit 96kHz]

简介

格式: FLAC
码率:96kHz/24bit
流派:古典
发行日期:2017-11-24
收录曲数:5首
录音时长:
总大小:
公司:BIS

作为一个团队,OsmoVänskä和他的明尼苏达管弦乐队于2004年开始与BIS合作。他们启动贝多芬交响乐周期,让全世界的评论家刮目相看:“一个现代版的参考”是ClassicsToday.com的结论,而留声机描述它是“为今天的世界重新塑造的贝多芬”。十二年后,在西贝柳斯交响乐团的明尼苏达-文斯卡循环中发行了第三张也是最后一张唱片,其中个别唱片获得了诸如2014年格莱美奖(第一和第四交响曲),留声机的“编辑的选择”,“管弦乐队英国广播公司音乐杂志选择”,并列入纽约时报年度最佳经典唱片名单。现在这张专辑还发行了另一个更具纪念意义的系列,与Gustav Mahler的第五交响曲合奏,2016年6月在明尼阿波利斯管弦乐大厅,由管弦乐队在OsmoVänskä的指挥下录制。在1902年组成的纯粹的器乐作品接踵而至,三首交响曲全部都包括声乐部分。这首和开头的小号主题,是贝多芬“第五号”开始的节奏的典故,被解读为马勒回归到更传统的交响乐类型的想法。 然而,其他特征却不那么传统-有时和令人迷惑的音乐习语混合在一起,让我们想起当时维也纳的熔炉,暗指奥地利,波希米亚和匈牙利的风格。对于一个毫无戒心的观众来说,着名的钢琴和竖琴乐曲“Adagietto”,也许是马勒音乐中最著名也是令人惊讶的的一首,它出现在作品的核心部分。

As a team, Osmo V è NSK è and his Minnesota Orchestra began working with bis in 2004. They started the Beethoven Symphony cycle to impress critics around the world: “a modern version of the reference” is ClassicsToday.com The gramophone describes it as “a reinvention of Beethoven for today’s world.”. Twelve years later, the third and final album was released in the Sibelius Symphony Orchestra’s Minnesota Vincenza cycle, with individual records winning such titles as 2014 Grammy Awards (1st and 4th symphonies), gramophone “editor’s choice”, “orchestral BBC music magazine choice” and included in the New York Times classic record of the year Single. Now the album has released another more commemorative series, with Gustav Mahler’s Symphony No. 5, which was recorded in June 2016 at the Minneapolis orchestral hall under the direction of osmov è NSK è. In 1902, the pure instrumental works came one after another, and the three symphonies all included vocal music. This and opening trumpet themes are allusions to the rhythm of Beethoven’s “No. 5”, interpreted as Mahler’s idea of returning to a more traditional Symphony type. Other features, however, are less traditional – sometimes mixed with confusing musical idioms that remind us of the melting pot of Vienna at the time, alluding to Austrian, bohemian and Hungarian styles. For an unsuspecting audience, the famous piano and Harp piece “Adagietto”, perhaps the most famous and surprising piece of Mahler’s music, appears in the core of the work.

曲目

  1. Symphony No. 5 in C-Sharp Minor I. Trauermarsch
  2. Symphony No. 5 in C-Sharp Minor II. Sturmisch bewegt, mit grosster Vehemenz
  3. Symphony No. 5 in C-Sharp Minor III. Scherzo
  4. Symphony No. 5 in C-Sharp Minor IV. Adagietto
  5. Symphony No. 5 in C-Sharp Minor V. Rondo-Finale

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