Brahms – Violin Concerto, Hungarian Dances; Bartók – Rhapsodies, Roumanian Dances – Kavakos, Chailly, Nagy

Leonidas Kavakos, Gewandhausorchester Leipzig, Riccardo Chailly, Peter Nagy – Brahms: Violin Concerto & Hungarian Dances – Bartok: Rhapsodies (2013) [Hi-Res]

Quality:FLAC (tracks, booklet) [96kHz/24bit]
Genre:CLASSICAL
Year Of Release:2016
Number:17
Total Time:79:54 min
Total Size:1.37 GB
Label:
 Decca Music Group Limited

希腊小提琴家列奥尼达·卡瓦科斯(Leonidas Kavakos)留着一头长发,外表狂野而知性,很容易看出他酷似约瑟夫·约阿希姆(Joseph Joachim),后者是约翰内斯·布拉姆斯(Johannes Brahms)的D大调小提琴协奏曲作品77的献唱者和首演者。人们常说,勃拉姆斯的作品不是“为小提琴而作”,而是“反对小提琴”。实际上,它的魅力在于它将演奏家的语言与勃拉姆斯自己的作曲要求相结合。这需要一个高超的天赋,不仅要通过音符,而且要控制表演,卡瓦科斯做到了这一点。在第一乐章中,他有一种巧妙的方式来指挥小提琴的过渡,而小提琴似乎试图摆脱乐章和谐结构的无数双停和巨大琶音总是用埃兰来演奏。终曲充满了南欧的活力,莱比锡著名的格万浩斯管弦乐团在里卡多·柴利的指挥下似乎积极活跃起来。如果这里有人抱怨,那就是节目的其余部分没有达到勃拉姆斯协奏曲的要求。两首巴托克小提琴和钢琴狂想曲与四首勃拉姆斯匈牙利舞曲(由约阿希姆亲自演奏)非常契合,但与勃拉姆斯并不太契合;节目似乎从管弦乐转向室内乐,从格万浩斯转向录制室内乐的柏林录音室。然而,对于勃拉姆斯协奏曲本身来说,这张专辑是物有所值的:这张专辑在当时可能会填满一整张唱片,而卡瓦科斯的指挥演奏确实让人想起了那个时代的一些经典曲目。——詹姆斯·曼海姆

Johannes Brahms (1833–1897)

Violin Concerto in D major, op.77
01 I Allegro non troppo 23.41
02 II Adagio 9.49
03 III Allegro giocoso, ma non troppo vivace 8.04

Béla Bartók (1881–1945)

Rhapsody No.1 for violin and piano, BB 94
04 I Moderato (Lassú) — 4.17
05 II Allegretto moderato (Friss) 5.13

Rhapsody No.2 for violin and piano, BB 96
06 I Lassù: Moderato 4.09
07 II Friss: Allegro moderato 5.53

Brahms

Hungarian Dances
08 No.1 in G minor: Allegro molto 3.12
09 No.2 in D minor: Allegro non assai 3.15
10 No.6 in B flat major: Vivace 3.25
11 No.11 in D minor: Poco andante 3.19

Bartók

Roumanian Folk Dances, Sz. 56, BB 68
12 I. Jocul cu Bâtǎ 01.20
13 II. Brâul 00.29
14 III. Pe Loc 01.02
15 IV. Buciumeana 01.20
16 V. “Poarga” Româneascǎ 00.30
17 VI. Mǎnuntelul 1, Mǎnuntelul 2 00.54

1IGdsNrf9WvGyMIpjgXi24Q🐎3mn0

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