Raphaela Gromes – Juliam Riem: Violoncellosonaten – Strauss & Mendelssohn

Raphaela Gromes – Juliam Riem: Violoncellosonaten – Strauss & Mendelssohn

Quality: flac 24bits – 96.0kHz
Genre:Classics
Year Of Release:2014
Number
8
Total Time:00:57:31
Total Size:946 mb
Label
Farao Classics

理查德·施特劳斯的两首早期作品和门德尔松的《成熟我的奏鸣曲》中的一首作品让观众非常高兴,并赢得了热烈的掌声。1883年12月19日,理查德·施特劳斯(Richard Strauss)在作品首次演出后自豪地写信给他的父母。1881年,施特劳斯17岁时开始创作他唯一的大提琴奏鸣曲,两年后完成。到那时,他已经像门德尔松·巴托尔迪那样做了很多作品,他简直是个神童。事实上,门德尔松的影响可以在施特劳斯的早期作品中清晰地听到,如大提琴奏鸣曲的最后一首:它让人想起仲夏夜的梦的轻快,或是钢琴曲回旋曲随想曲的嬉戏。在最初为大提琴和管弦乐队创作的浪漫曲中,施特劳斯展示了他在奏鸣曲中对形式的自由和创新运用:奏鸣曲形式、回旋曲和谎言的融合,创造了一种不受约束的联想结构,以非常规的方式展开,同时仍然拥有音乐和叙事的连贯性和张力。与理查德·施特劳斯的两部年轻作品不同,门德尔松的大提琴和钢琴奏鸣曲,作品58,是一位32岁的成熟人士的作品。门德尔松苦读了两年多的大提琴奏鸣曲。其结果是一部非常广泛的作品,有四个长乐章,远远超出了早期室内乐作品的限制。

Two early pieces by Richard Strauss and a work from Mendelssohn’s maturity My sonata pleased the audience immensely, and it received colossal applause. I was congratulated from all sides, and everyone was of the same opinion, Richard Strauss proudly wrote to his parents on 19 December 1883 after the work’s first performance. Strauss started work on his only cello sonata in 1881 at the age of 17, completing it two years later. By then, he had already done a lot of composing like Mendelssohn Bartholdy, he was very much a child prodigy. In fact, Mendelssohn’s influence can be clearly heard in Strauss’s early works, as here in the Finale of the Cello Sonata: it recalls the lightness of A Midsummer Night’s Dream or the playfulness of the piano piece Rondo Capriccioso. In the Romance originally composed for cello and orchestra Strauss displays the same free and innovative use of form that he does in the sonata: sonata form, rondo and Lied blend to create an unfettered, associative structure that unfolds unconventionally, while still possessing musical and narrative coherence and tension. Unlike the two youthful works by Richard Strauss, Mendelssohn’s Sonata for Cello and Piano, op. 58, is the product of a mature 32-year-old. Mendelssohn laboured over his Cello Sonata for more than two years. The result is an extraordinarily expansive work that, with its four long movements, goes far beyond the constraints of earlier chamber-music works.

01. Cello Sonata in F Major, Op. 6, TrV 115: I. Allegro con brio
02. Cello Sonata in F Major, Op. 6, TrV 115: II. Andante ma non troppo
03. Cello Sonata in F Major, Op. 6, TrV 115: III. Finale. Allegro vivo
04. Romanze in F Major, TrV 118 (Version for cello and piano)
05. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: I. Allegro assai vivace
06. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: II. Allegretto scherzando
07. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: III. Adagio
08. Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32: IV. Molto allegro e vivace

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